Adobe After Effects 2014 Download Mac V13.2 Full Zip Updated

Adobe After Effects 2014 Download Mac V13.2 Full Zip

Afterwards Furnishings CC 2014.1 (13.1): what'south new and changed in this update

[UPDATE: Be sure to install the After Effects CC 2014.1.ane (thirteen.1.1) bug-fix update.]

After Effects CC 2014.i (13.1) is bachelor.

If you have a Creative Cloud membership, yous always have access to the latest version of Later Effects. You can install this update by choosing Help > Updates within any Adobe application or past opening the Creative Cloud desktop application. Go to the Creative Cloud site to download applications or to sign upwards for Artistic Cloud.

For more than information about Creative Deject, see this overview video and the Creative Cloud FAQ list.

For information about updates for all of our professional person video and audio applications, meet this folio.

For details of what was new in After Effects CC 2014 (13.0), see this page.

Please , if you want to ask questions virtually these new and inverse features, come on over to the After Effects user-to-user forum. That's the all-time place for questions (and, if y'all follow that link, you'll observe more than information about how to communicate with united states). Questions left in comments on a blog mail service are much harder to work with; the web log comment system just isn't set upward for conversations. If you'd like to submit feature requests (or bug reports), you tin do and so here .

details of all new and changed features in Later on Effects CC 2014.1 (13.1)

Here is a nearly comprehensive list of changes, with item beyond the summaries of the top items listed above. We'll be posting a lot more than detail over the coming weeks, and the outline below will exist populated with links to in-depth articles and tutorials, and then bookmark this page and cheque back.

high-resolution (loftier DPI) content viewers and user interface elements on Mac OS and Windows

Later on Effects CC 2014.1 (13.1) displays content and user interface items at the appropriate resolution on high-resolution displays (sometimes called "high-DPI" or "HiDPI") on both Windows and Mac Os. This makes Later on Furnishings easier to use on high-pixel-density monitors, similar Apple Retina displays and Microsoft Surface Pro devices.

In content viewers, Later on Effects will take advantage of the pixel density of the display to testify each pixel of content in a viewer as a single pixel on the brandish. This affects the contents of the Footage panel, Layer panel, and Composition panel, including both your video content and some UI overlays and widgets within the content area.

Annotation that for a given piece of content to announced the aforementioned on a high-DPI brandish as on a non-loftier-DPI brandish, the zoom value for the one-time needs to be twice that of the latter, since the points are one-half the size. If you lot drag a panel from a high-DPI brandish to a non-high-DPI display, y'all'll see the zoom value change, while the content occupies the same space on the screen.

User interface elements such as icons, text labels, pointers, buttons, etc. will at present scale according the operating system display DPI setting. Mac OS computers with a Retina display will calibration to 200%. Windows computers with a high-DPI display will scale to 150% or 200%.

refreshed user interface design

The user interface (UI) of After Effects, as well as Premiere Pro and other Adobe professional video and audio applications, has been updated with a new pattern. Pointers, icons, text, controllers, and push button styles have all been refreshed.

The layout of the interface has not changed significantly, but some simplification has been fabricated to panel functionality.

The icon for the panel carte du jour has been moved from the upper-right corner of the panel to the console tab, making the panel menu easier to discover.

The panel grabber and frame grabber icons take been removed; you tin still elevate panels using the console tab.

The shut button (10) has been removed from all panels except the Timeline, Composition, Layer, Footage, Effect Controls, and Flowchart panels. In these panels the close button has moved to the left side of the panel tab. To shut a console without the close push button, open the panel carte or correct-click on the panel tab and cull Close Panel, or use the keyboard shortcut, Command+W (Mac OS) or Ctrl+W (Windows).

The range of the Brightness slider in the Appearance preference category is more than limited than in previous versions; there is no longer a "lite" style for the interface. The default brightness setting is darker than in previous versions.

Because some scripts that create ScriptUI panels accept non been updated to accommodate the new user interface design, some of these scripts may announced wrong with the new UI skin. If this occurs with a script that you use, you tin make an individual ScriptUI console announced using the old UI skin past enabling the Use Legacy UI option in the panel menu for the ScriptUI console.

Copy With Relative Belongings Links command

A new command in the Edit menu, Re-create With Relative Holding Links, works like the existing Copy With Property Links control, except that information technology creates expressions that exercise not reference the source limerick by name. This maintains a relative link between the layer with the expression and the composition containing that layer. This tin can be useful when, for instance, you want to move expression-rigged layers from ane composition to another but let the layers reference a control layer just in the aforementioned composition. The expressions created using the Copy With Relative Property Links command are identical to those created using the expression pickwhip.

For copying a layer's Position belongings, the result would be this:
thisComp.layer("control_layer").transform.position

The existing Copy With Belongings Links command will specifically reference the layer's source composition in the expression:
comp("source_comp").layer("control_layer").transform.position

color management for Dynamic Link

When color management is enabled for an After Effects project, compositions viewed or rendered over Dynamic Link will be transformed using the HDTV (Rec. 709) color profile. This prevents colour or gamma shifts in the appearance of these compositions in Premiere Pro and Adobe Media Encoder.

Dynamic Link always assumes that all incoming frames are in the HDTV (Rec. 709) colour space. Prior to After Effects CC 2014.1 (13.1), compositions in a colour-managed project were sent to Dynamic Link in the project's working colour space; they were not adapted for Dynamic Link'southward assumption of HDTV (Rec. 709). This mismatch resulted in a noticeable colour or gamma shift when the projection's working color space was significantly different from HDTV (Rec. 709) or when Linearize Working Infinite was enabled.

In After Effects CC 2014.1 (thirteen.i), a color transformation is applied to the composition as a final footstep before the images are passed to Dynamic Link for use in Premiere Pro or Adobe Media Encoder. This corrects the composition paradigm to the color space used by Dynamic Link, similar to how the View > Enable Display Colour Management selection in After Effects corrects the image for your monitor.

Maxon Cineware 2.0 plug-in and Cinema 4D Lite R16

After Effects CC 2014.1 (xiii.1) includes a version 2.0 of the Cineware plug-in, which serves equally the principal interface for integration with Picture palace 4D.

After Furnishings CC 2014.1 (13.i) also includes version R16 of Cinema 4D Lite, which provides several new features, such as the new Reflectance channel. (For details about each edition of Cinema 4D, meet the Maxon website.)

John Dickinson summarizes the changes in Cineware two.0 in a video on the Motionworks website.

Automatic Cineware upshot settings synchronization: When adding multiple instances of a Movie house 4D scene layer in a composition, including adding Multi-Pass layers, you will see an on/off checkbox at the top of the Effect Controls console labeled Synchronize Layer. It is on past default, meaning that the Cineware consequence settings on all instances of the layer will automatically synchronize. If this checkbox is disabled for a specific CINEMA 4D scene layer, then that layer'southward settings volition not synchronize with the balance of the layers in that composition. The Utilise To All button from previous versions of Cineware has been removed.
Default Layer: The CINEMA 4D layers dialog box now shows a Default Layer option if the renderer supports it. Objects that take not been assigned to an explicit layer in the .c4d projection file will be visible with Default Layer enabled.
Content Browser: When using a full retail version of CINEMA 4D R16 as the renderer, textures applied via installed content libs (.lib4d files) will render in After Effects using Cineware.
region of interest: If you lot use the region of interest feature in After Effects to constrain the preview to a subset of the frame, the Cineware effect volition respect this setting and limit rendering to the area within the region of involvement. This but applies when the Renderer control is ready to Standard (Final).
Purge Memory: This option only works when the Cinema 4D return path in Options is set to the default render server Cineware R16, or a full retail version of CINEMA 4D R16 or subsequently. For circuitous scenes, the render server may use memory for internal caches. To free upwardly that memory click "Purge Retentiveness" in social club to extend the length of previews in After Effects.

Collect Files for Movie house 4D avails

The Collect Files command in After Furnishings now collects avails associated with .c4d footage items, such as textures.

automatic encoding of compositions in After Effects project files in Adobe Media Encoder lookout folders

If y'all place an Later on Effects projection (.aep) file in a watch folder that is beingness monitored by Adobe Media Encoder, the compositions at the top level in the project (i.e., those not in folders in the Projection panel) will automatically exist added to the Adobe Media Encoder encoding queue.

For more information nigh what'southward new and inverse in Adobe Media Encoder CC 2014.ane (8.ane), see this folio.

native encoding and decoding of movies using GoPro CineForm codecs

After Effects, Premiere Pro, and Adobe Media Encoder tin can natively decode and encode QuickTime (.mov) files using the GoPro Cineform codecs on Mac Bone and Windows, pregnant that you practise not need to install additional codecs to use and create such files.

At the higher quality settings, this codec is an first-class choice for intermediate files—i.e., files that you create from i application in a post-production pipeline to laissez passer to the next application in the pipeline. Motion-picture show files encoded with the GoPro Cineform codec at the college quality settings include an blastoff channel.

To use the GoPro CineForm codec for output, choose QuickTime every bit the format in the Output Module Settings dialog box, click the Format Options push button, and choose GoPro CineForm equally the video codec.

For details about quality and pixel format settings for the GoPro CineForm codec, run into this page .

scripting improvements for text layers

You can now read additional information through scripting about the font and fashion used in a text layer, including the location of the font file on disk.

The new read-but attributes for the textDocument object are these:

fontLocation: returns string with path of font file, providing its location on deejay (non guaranteed to exist returned for all font types; return value may exist empty cord for some kinds of fonts)
fontStyle: returns string with style information — eastward.g., "bold", "italic"
fontFamily: returns a string with the name of the font family

The value returned is for the kickoff character in the text layer at the electric current time.

mocha AE CC 2014, based on mocha 4.0

mocha AE has been updated to mocha AE CC 2014 (version iv.0.ane). This is a major version update that includes compatibility with mocha Pro 4 projection files. For details, see this page

miscellaneous new and changed features

The Anchor Point icon on selected layers has been enhanced for better dissimilarity and visibility, and it is now easier to select and utilize.
The application title bar now shows the full path to the project file.
The Welcome Screen dialog box will automatically close when you open a project past double-clicking information technology in Finder or Explorer.
While tracking an result mask, the mask fashion no longer temporarily changes to None. This preserves the appearance of the masked event during tracking.
The motion tracker (point tracker) no longer offers a pre-processing Mistiness control. This pick never worked as designed.
There is at present a Return And Replace command in Premiere Pro for replacing a Dynamic Link After Effects limerick with a rendered movie.
Use the new Browse Add-ons command in the File carte du jour to go to the new Adobe Substitution, from which you can download and install animation presets, scripts, template projects, et cetera.
The new Adobe Colour Themes console replaces the console previously named "Adobe Kuler". Cull Window > Extensions > Adobe Color Themes to open up this console.

a few choice bug fixes

We stock-still a lot of bugs in this update. Here are a few that I think are peculiarly worth calling out:

retentiveness leak when scrubbing to preview audio
slow rendering of After Effects compositions used in Premiere Pro through Dynamic Link when the main Later Effects application is open
errors when using the Create Stereo 3D Rig
errors when using and creating custom (pseudo) furnishings
mismatch in interpretation of layer bounds for imported .psd files in projects from previous versions of Afterwards Effects
incorrect rendering of vector objects from Photoshop
pixelation and and other bug with RED (.r3d) files
wrong VRAM amount reported for some AMD GPUs on Mac OS
crash when copying and pasting layer styles from one layer to another
problems with effect eyedropper control
incorrect date when using Current Date selection in Numbers upshot
many other causes of crashes and errors